In what way has the concept for Lampa Sessions evolved in this new season?
Nikul: This season, I feel like we as a team were more confident and cohesive, which made the whole process smoother — not just for us, but for the artists as well. The overall format hasn’t changed much, but something about the atmosphere this time around felt more relaxed. Maybe because of that, the artists were more open during the interviews, and willing to dive deeper into their creative processes. As a result, the conversations are a bit longer and more revealing, which adds another layer to each session.
What are the key aspects in these sessions that you enjoy the most? The moments that make you feel good afterwards.
Nikul: Each of the new sessions brought something completely unique, which is part of what I enjoy most — no two are alike. Muddy’s session, for example, felt more like a performance piece, with a very artistic and visual approach. SMYAH’s was rich with sonic textures and little audio details that really spoke to the audiophile in me. Rønja’s session felt incredibly intimate; her piano work and subtle electronic layers genuinely moved me. And with TRIGAIDA, it was a rare opportunity to hear parts of their upcoming album live. Their fusion of Bulgarian folklore and electronic music was both experimental and deeply connected to tradition.
All of the artists also brought so much depth and honesty to their interviews — hearing them speak so openly about their creative journeys was as inspiring as the music itself.
How has filming the sessions influenced you or brought you inspiration as a filmmaker and musician yourself?
Nikul: Working on these sessions has been really inspiring — both creatively and personally. Being around other artists always teaches you something. It definitely reignited my desire to make music again, and it even pushed me to finally organize my gear and start experimenting with ideas that had been sitting in the back of my mind for years. As a filmmaker, each session is a new challenge. You have to adapt to the artist’s energy and style while still preserving the visual identity of Lampa Sessions. For example, with Muddy’s session, I was tempted to incorporate some VFX to match his online aesthetic, but in the end, I chose to stay true to our usual Lampa look — something more open, natural, and sincere.
What is the key thing about these sessions you’d like the audience to experience while watching?
Nikul: Music hits each person differently, so I try not to assume what anyone will take away from a session. But what we aim to offer with Lampa Sessions is a glimpse into the artist’s world — a space that feels more personal than a typical live show. It’s an invitation into their creative space, both through the music and the conversation. Personally, I feel like the sessions bring out a kind of honesty in the artists — you see and hear them in a more authentic, human way. That’s what I hope comes through for the audience as well.
What are the next plans for Lampa Collective?
Nikul: One of our big dreams is to take Lampa Sessions into a live setting — maybe a small festival or a series of intimate events with a live audience. We’d love to keep the cozy, reflective vibe of the studio sessions, but bring in the emotional energy that only comes from a room full of people sharing the moment together. We’re still brainstorming how to make that work without losing what makes Lampa unique. In the meantime, we’re continuing to bring new artists into the studio and keep building on what we’ve started.
