The Beauty of Fleeting Moments 

7Kidz: My name is Zakaria, I’m 28 years old and I live in Brussels. I’ve been a big fan of dubstep since I was 12 and I always loved the genre. I started, like a lot of people, listening to Skrillex back when he started to become famous and since then I went on a long journey to discover that I always had something for the classic dubstep First, it was Datsik and Downlink, then the UK 140 business from Skream. 7Kidz comes from very far away and the most satisfying thing about music is making other dubstep lovers feel your art, because for me Dubstep is a true art!

Eugene: I’m someone who finds constant inspiration in the world around me, especially in nature and urban environments. My passion lies in exploring the beauty of fleeting moments — the way light changes, how colors shift, and how textures tell their own stories. As an artist and photographer, I thrive in capturing those imperceptible transitions that occur when we’re not paying attention, whether it’s the reflection of a building on wet pavement or the way trees bend in the wind. I believe in the power of imperfection. I find beauty in things that may seem overlooked or unnoticed, and that’s what drives much of my creative work. There’s something special about how the smallest, most transient details can evoke deep emotions or a sense of nostalgia. I also deeply value the process of experimentation and discovery. It’s not about having a set vision, but about allowing room for unexpected elements to shape the outcome. Creativity, for me, is a journey of growth — both personally and professionally. And while I enjoy reflecting on past work, I’m always excited to see where new projects will take me next. I’m always seeking new experiences, perspectives, and ways to learn from the world.

At my core, I believe that art have the power to connect us, spark conversations, and make the world a more thoughtful place.

Eugene: This photo series was born out of a deep desire to explore emotion through abstraction and movement. I’ve always been fascinated by the idea of capturing not just what something looks like, but what it feels like — the in-between states, the blur of memory, the emotional residue left in a moment. Each image started with a real place or subject, but I intentionally used slow shutter speeds, camera movement, or lens filters to distort and transform what the eye would normally see. I wanted to create visuals that feel dreamlike, surreal, and slightly unstable — like flickers of memory or sensations that you can’t fully grasp.

Nature plays a huge role in my work. Flowers, trees, and natural light are recurring motifs — not for their literal beauty, but for the way they carry emotion and symbolism. The portrait elements, on the other hand, bring a more personal, human layer into the series, often layered or obscured to reflect themes of identity, vulnerability, or disconnection. It’s a mix of intuition and experimentation. I never know exactly how an image will turn out — and that unpredictability is part of what drives me to keep creating

Favourite place you like to visit for inspiration?

Eugene: I’d say nature is a big one for me — especially places with interesting light, reflections, or movement. I’m really drawn to how colors shift and blur in natural settings. Even a simple patch of trees or water can become something abstract and emotional through the lens. I also love walking through cities, just observing how light plays off surfaces, catching moments that feel unplanned or in-between. That’s where a lot of my work comes from – those fleeting, imperfect visuals that you can’t really plan for but just feel right when you see them.